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Vision and color are at the heart of painting. Here is the most comprehensive discussion for artists of color perception, color psychology, "color theory" and color mixing available online, and one of the most comprehensive available anywhere in any format.
modern color theory
talking about color the 18th century heritage substance uncertainty additive & subtractive color mixture color geometry color mixture gamuts talking about paints many painters's palettes interdependence of colormaking attributes color symbolism summary
additive & subtractive color mixing
additive color mixing (in the eye) subtractive color mixing (in substances) substance uncertainty "theory" vs. experience
learning color through paints
three guiding principles 27 color study topics
tonal value
the dominance of value the value scale hue, lightness and saturation the artist's value wheel grayscales & gamut mapping painting values.
the artist's value wheel (HTML PDF)
color temperature
warm vs. cool colors warm/cool contrast effects the origin of warm/cool the warm/cool contrast in paints unsaturated color zones painting warm or cool
color wheels
creating a color wheel "primary" color wheel secondary color wheel tertiary color wheel more is less? a gamut comparison color names
mixing with a color wheel
saturation costs the color wheel fallacy basic mixing method split "primary" palette (dogma & critique) unequal color spacing
basic mixing method
an artist's color wheel
visual vs. mixing complements the artist's color wheel tour of the color wheel why the difference? making your own color wheel
the artist's color wheel CIECAM version (HTML PDF) watercolor mixing complements
color harmony & contrast
basic issues in color design traditional hue harmonies three theories of color harmony introduction to full color harmonies dynamics of full color harmonies a natural color harmony ruskin's last word
color in the world
the causes of color surfaces & lights surface & shadow color
special material colors physical color changes
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